"Champagne for my real friends. Real pain for my sham friends" (used as early as 1860 in the book The Perfect Gentleman. Famously used by painter Francis Bacon)



venerdì 2 dicembre 2022

THE ALTERNATE MCGEOCH (Bansheeiana)

 

THE ALTERNATE MCGEOCH

(Bansheeiana)

 

While browsing through my files I found a long writing of mine addressed to a soulmate of mine.

Being more accurate than what I wrote years after for the blog, here it is.

No corrections, no “ps, just as it was.

 

 

QUOTE

 

                                                                       15th of March 2004

 

A propos de John McGeoch.

 

I met him after the concert in Torino, 26 of June 1981.

In the afternoon I already talked with Budgie and with Tony Selinger (then the sound engineer for the band and a sort of my “big brother” when I attended S&TB concerts for some time).

Ended the concert, Siouxsie was ill for food poisoning and we waited for the band to come out of the theatre, while she was treated at the hospital emergency.

 

When John came out I tried to talk with him and, straight, let him know that I was not going to discuss guitar strings or Di Marzio pick ups: not a musician myself I was more interested in knowing who was going to bring dirty clothes to the laundry. He was somehow surprised and, laundry apart, he told me he had chickens in the backyard at home.

I told him I was going to be in London in the summer and he told me to try to get in touch with him outside the venue.

 

I don’t remember exactly (probably some memories are written in my diary, at home), but first I managed to get myself recognised the first day (indeed I waited some five hours outside the Hammersmith Palais). For sure the second night I obtained the unobtainable and had been ushered backstage by one of the security big guys: Pat (kind of walking mountain in size).

Inside the dressing rooms it was a sort of dream come true and in the end John invited me at their hotel for an end of the tour party: I was sitting next to him in the van and when some fans asked for autographs he told me to take away my pen: “them were them, and I was I” (a lesson learned).

 

We met again in Milano, 19 July 1982 and some shit hit the trees (it was an open air festival) when almost a scuffle followed because the Italian promoter tried to throw out a friend of mine (who should kiss my ass: he got the backstage and the band just like me, with no sweat!) during the afternoon. Both John and the band manager ensured that things should calm down.

 

Last time we met was a few months after: I was in London and by chance Tony told me the band was recording, and the place was also close to my hotel.

I waited some two hours in the reception: in the end John came out with a pint of red wine. I spent some six hours in the studio and witnessed the birth of a recording (and much more).

 

That was me and John; always missed since November 1982, when because of some nervous problems he quit the band before the English tour.

Tony got me the tickets for the two London dates, I sneaked inside in the afternoon and I was playing pinball. A voice from behind says: “You must be Steffàno”. That was Billy Houlston (You know him), and this is another story.

 

I saw John onstage with Public Image Limited, at a concert I attended with Billy some years after. No way to met him afterward.

 

 

UNQUOTE

 

 

                                                                                                                      Steg

 

 

 

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